The Sisters in Cinema Documentary Fellowship supports Black women and gender nonconforming non-fiction directors currently in production on films that center our stories. The career-long fellowship provides recipients with a financial award, fiscal sponsorship and individually tailored mentorship focused on both professional and project development.


Photo of Moya Bailey. Moya is a dark skinned Black person who wears glasses, a black shirt and red/orange scarf around her neck.

Moya Bailey (Chicago, IL) is an Associate Professor at Northwestern University and is the founder of the Digital Apothecary and co-founder of the Black Feminist Health Science Studies Collective. Her work focuses on marginalized groups’ use of digital media to promote social justice, and she is interested in how race, gender, and sexuality are represented in media and medicine. She is the digital alchemist for the Octavia E. Butler Legacy Network and the Board President of Allied Media Projects, a Detroit-based movement media organization that supports an ever-growing network of activists and organizers. She is a co-author of #HashtagActivism: Networks of Race and Gender Justice (MIT Press, 2020) and is the author of Misogynoir Transformed: Black Women’s Digital Resistance (New York University Press, 2021). Moya’s current project Misogynoir in Medicine focuses on discrimination against Black women in the healthcare system through conversations with Black women healthcare providers, patients, and activists.

Photo of Latoya Flowers, a dark skinned Black woman with a brown hoodie on smiling at the camera. She stands in front of a dark backdrop wearing glasses and hoop earrings.

Latoya Flowers (Chicago, IL) is a Senior Multimedia Creative at the Field Museum in Chicago, where she collaborates with exhibit designers, content developers, illustrators, motion graphic artists, lighting designers and music composers to create immersive projection mapping and multimedia installations for traveling and permanent exhibitions. Latoya graduated from the School of Visual Arts and received an MFA in Social Documentary Film. She’s currently directing and producing her first feature-length documentary Still Searching, supported by the Hulu / Kartemquin Films Accelerator Program, Still I Rise Films Fellowship, and Chicago Filmmakers.

Photo of Arlieta Hall. She is a dark skinned Black woman who smiles at the photo in front of a yellow backdrop. She wears a white shirt, black suspenders and hoop earrings.

Arlieta Hall (Chicago, IL) is a host, actress, improviser, stand-up comedian, writer, and first-time filmmaker from Chicago. She is a Second City NBC Bob Curry Fellowship recipient. She recently co-starred as Sadie on Showtime’s episodic series The CHI and is a co- producer of the comedy variety show My Best Friend is Black. Next up, she is a writer and performer in Second City’s 2023 Black Excellence Revue. Finding Your Laughteris her first film.

Photo of India Martin. She is a light skinned Black woman with locks. They wear a hat and red print top in front of a blurred out scene of plant life.

India Martin (Chicago, IL), working in photography, film and production, is a visual artist, exploring queer & Black life and visibility. She produces visual art and cultural experiences that transcend place and space by creating serene landscapes and by capturing tender moments. India’s current work is focused on creating and preserving still and moving images that show Black and queer people taking in moments of tranquility, joy, and rest. Her purpose is to co-imagine a liberated future where humanizing and accurate images of Black and queer people are not only accessible but are normalized. India’s latest project Out of Focus fuses home movies, historic footage and experimental techniques to tell the unique stories of queer families.

Photo of Whitney Spencer. She is a dark skinned Black woman who smiles at the camera in front of a tan backdrop. She wears a white shirt, a gold necklace, and glasses.

Whitney A. Spencer (Chicago, IL) is a writer, educator, and filmmaker born and raised in Louisville, Kentucky, who now calls Chicago home. She has a master’s degree in Critical Ethnic Studies from DePaul University, where her multimedia thesis project focused on the community-generated intellectual practices of Black/Brown youth activists and organizers (based on her 2018 TEDx talk, “Reimagining the Intellectual”). Whitney is currently the director of Marketing and Distribution at Kartemquin Films where she helps filmmakers find and share the stories of their films while cultivating audiences. She strives to create in the tradition of the great Octavia Butler – “Tell stories filled with facts. Make people touch and taste and know. Make people Feel! Feel! Feel!” The Untitled Combahee River Collective project that Whitney will work on throughout the fellowship will uncover and honor the lasting work of the Combahee River Collective and their seminal statement.


Luchina Fisher (New Fairfield, CT) is an award-winning writer, director and producer. Her feature directorial debut, Mama Gloria, about a trailblazing Black transgender elder activist, premiered at the Chicago International Film Festival, won Best of Fest at CineOdyssey and the Jury Award for Best Documentary at Teaneck International, and will be broadcast on PBS in April 2021. Prior to that, she co-executive produced and co-wrote the critically acclaimed feature documentary Birthright: A War Story, which appeared in more than 70 theaters nationwide, qualified for Oscar consideration and is currently streaming on Amazon Prime. She is the director of two short films and has written and produced several nationally broadcast documentaries as well as numerous segments for television. Her next documentary is the Untitled Gary & Gia Project. Luchina began her career as a journalist and has written for People, the Miami Herald, The New York Times, O, The Oprah Magazine and She has also co-authored or ghostwritten several books. Luchina is a Sisters in Cinema Documentary Fellow and a member of Brown Girl Doc Mafia and the Black Documentary Collective. 

Crystal Kayiza (Brooklyn, NY) was raised in Oklahoma and is now a Brooklyn-based filmmaker. As a director, her work reimagines the aesthetics used to tell stories about Black folks across generations and landscapes. Named one of Filmmaker Magazine’s “25 New Faces of Independent Film,” she is a recipient of the Sundance Ignite Fellowship, Jacob Burns Film Center Woman Filmmaker Fellowship and Points North Institute North Star Fellowship. Her film, Edgecombe, which received the 2018 Gold Plaque at the Chicago International Film Festival, was an official selection of the 2019 Sundance Film Festival where it was acquired for distribution by PBS. Her most recent film, See You Next Time, which aired on Starz, was an official selection of the 2020 Sundance Film Festival and was released by the New Yorker. Her short narrative film, Rest Stop, was the winner of the 2020 Tribeca CHANEL Through Her Lens program grant. Crystal received a Heartland Emmy Award in 2012 for her film All That Remains, which profiles Boley, Oklahoma, one of the nation’s last all-black towns. She is currently in pre-production on The Gardeners, her first nonfiction feature film, which recently received the 2021 Creative Capital Award. 

Ashely O’Shay (Chicago, IL) is a DP and documentarian based in Chicago, IL, whose work focuses on illuminating marginalized voices. She has produced work for national brands, including Lifetime, Nike, KQED, and Dr. Martens. She filmed the final episode of Dr. Martens’ “Tough As You” series, starring the band Phony Ppl, accruing over 65K views on social and web. In 2019, she co-produced the Chicago episode of KQED’s award-winning series “If Cities Could Dance,” which became one of their most viewed episodes to date. Her work also appeared in the critically-acclaimed Lifetime docuseries Surviving R. Kelly. Most recently, she premiered her debut feature, Unapologetic, which offers a deep look into the Movement for Black Lives in Chicago, told through the experiences of two young, Black queer women. The film premiered at the 2020 BlackStar Film Festival, was shortlisted for the International Documentary Association Awards and is the winner of the 2021 Athena Film Festival Breakthrough Award. Her current project is the short film Southmont Drive.

Débora Souza Silva (Oakland, CA) is a documentary filmmaker whose work examines systemic racism and inequality. Her work has been featured on PBS, BBC, Reveal from The Center for Investigative Reporting, and Fusion. Silva started her career as a TV reporter in Brazil before moving to California to pursue a Master in Journalism at UC Berkeley.
She is a recipient of the Les Payne Founder’s Award from the National Association of Black Journalists (NABJ), the International Women Media Foundation (IWMF) Latin America Reporting Fellowship, the New York Times (NYT) Institute Fellowship and the Creative Capital Award. Silva is a Board Member of Studio IX, a nonprofit that supports womxn filmmakers, and a member of the 2020 Chicken & Egg(celerator) Lab as well as the 2019 Firelight Media Lab. Her work has also been funded by Glassbreaker Films, the Investigative Reporting Program, the Tribeca Film Institute, Fork Films, Perspective Fund, Catapult Film Fund, The Center for Investigative Reporting, Berkeley Film Foundation, California Film Institute, IDA (Pare Lorentz) and California Humanities. Black Mothers is her debut feature film.

cai thomas (Chicago, IL) is a documentary filmmaker and dp telling verite stories at the intersection of location, self-determination and identity about Black youth and elders. she grew up in Miami’s Liberty City neighborhood and is deeply interested in stories rooted in place. her most recent film Queenie premiered at NewFest in 2020 winning the NY Short Grand Jury award. Her current project is the documentary feature 360 Nation. cai is a member of the NeXt Doc collective and is a Sisters In Cinema fellow. her independent work has been supported by the sundance institute, if/then shorts, kartemquin films among others. during her two season tenure at CBS Sunday Morning she earned an emmy.